In the garden there are dewdrops on the grass, and between the grass small flowers are growing. The black paint on the outhouse door is old, it is cracked in places, and where it is cracked you can see the pale wood underneath. The wood, too, is old.
It is Wednesday and I am home, drinking coffee, listening to John Coltrane, thinking I should be happier. It is easy to forget, at work waiting to leave, that the absence of a negative does not always feel like a positive. Sometimes you stop and in the stillness you become a target towards which all those clawed thoughts that have been prowling can pounce. But then if there are beasts back there, in the recesses of the mind, maybe they need to be given room to leap.
For a long time I thought I worked in bars because something was broken inside me, because bar work was what was left when I had lost the ability to try at anything else. Its frustrations, the claustrophobic dimensions of its existence, felt symbolic of my wider failings. It was the place in which I waited for my true life to begin, and then I woke up and I was 31, and I realised it probably already had.
But maybe this is not uncommon. Perhaps we are all struggling against lives of barely-masked dullness, raging pettiness, vague disappointment. We sense something wrong, some unnameable beauty lost, some weight dragging us back from climbing upwards to the rarefied air beyond. Our suffering is a barrier locking us out from our true destinies, and we find innumerable reasons for which this suffering can be blamed.
We blame work, customers, clients, bosses; we blame the weather, politicians, our parents, God. We tell ourselves that if only we could finish that degree, sign that record deal, lose that weight, make that person love us, change that government, write that novel, then we would be happy, we would finally have arrived.
Our lives are lived as if in an antechamber, a vestibule, putting our faith in a room beyond, waiting to be ushered through ornate doors into a palatial ballroom, free from suffering, devoid of pain -- and until that happens we kill boring hours here, paying as little attention as possible, running down the clock. We do not progress and we ruminate on our denied entry, whether it could be because of our wrong shoes, our wrong bodies, our wrong minds.
Or else we try to go back. With growing awareness of the miserliness of life, the sense of being cheated out of something we can't quite place -- often manifesting in our 20s, as it dawns that the hand we've been dealt isn't exactly loaded with aces, and the dealer might not allow us to burn -- we attempt a scramble back into childhood, to a time when strong arms cradled us, when our suffering was someone else's responsibility. We let the dishes pile up and we eat junk food and watch primary-coloured superhero films or Kardashian cartoons under blankets, gathering the ease and warmth around us like a parental embrace, forgetting that, stripped of nostalgia, our youths were as fraught with pain and angst as any time.
Or if we're feeling intellectual we might cry for a return to the pastoral paradise before Facebook and Instagram hijacked our dopamine systems, before computers designed to ease our lives made slaves of us all, back to a simpler past of perhaps the early 20th Century, when everyone on Planet Earth was happy all of the time.
But what if there is no escape? What if this vestibule -- slightly cold, a little small, permeated with blunder and embarrassment and gently humourous failure -- is the only room in which we will ever exist? If we are dragged in here from the cold of the cosmos, through the gateway of consciousness, in order to shuffle around for a few sparse years in this quiet hallway, clumsily tipping our hats and tripping over our feet, saying never quite the right thing, blushing too often, until our time is up and we are led back out, confusion fighting comprehension on our fading faces, to merge back into the waiting night?
Would the true work of our lives then come not from defeating monotony, suffering, but from building an honest relationship with it? From admitting the pain at not getting more, and thus letting in the joy at getting even this?
Realising the finite nature of our lives, the proximity of the walls, we can cease wishing to be elsewhere and accept that we are here, do the work that is here, before us, now.
I don't know what that means for you. But in bar work I think it might mean greeting customers with a smile, holding them in awareness, letting the message pass from your eyes to theirs that you know about the vestibule, that you are in it with them, will do what you can to make it all right. I think it means pouring a drink carefully. Saying thank you and meaning it. Sweeping even under the shelves, where people can't see. Washing the jiggers as you go. Mopping the floor wet and then again dry, with attentiveness, with elegance, with what may amount to a kind of love. Meeting the boredom and lethargy head on, with eyes open, focusing on the mundane moments as if they were all that mattered, as if they were all you ever had.
We are in a vestibule, and it is dusty, decaying, does not feel like nearly enough. But to be clear it is composed of exploded stars, perched on the edge of an unknowable void, held together by forces mystical and everlasting -- as, in fact, are you. Most of the stories we tell ourselves, the entertainment we watch, the conversations we have, swaddle us in the illusion of catharsis, happy endings, a ballroom beyond. But I think the truth may turn out to be both less than this, and, in an odd way, much more.
Thursday, 19 May 2016
Thursday, 12 May 2016
A Truth Told By Only The Rain
Two days off from work, finally, and the rain is falling steadily, softening the wooden fence outside my window, drawing forth smells of the earth, holding the world together in a slow sad greying embrace. A realm of dampened joy, edgeless as remembered childhood.
Let go frustration at the weather: the vicissitudes of our planet's climate are not predicated upon the structure of my weekly rota. There is nothing to which I am of central importance, save myself -- and that is a comfort, I think, finally. Watch the little puddles, the bending stalks, the subdued stoicism of the terraced houses across the car park. Be in all of it, melt into it, resign myself to its decaying beauty.
It is hard trying to write while working full time in bars. At least it is hard if you struggle with borderline alcoholism and fairly centreline depression and anxiety, and you go drinking after work with students to whom you are ten years senior, and you stay late, using rum to be funnier than you are, and you sleep through until 2pm, and then there you are back at work anxious again and sans the rum that makes you (at least in your eyes, when you've had too much rum) temporarily funny, even though you promised yourself you wouldn't (do all these things (please not again)).
While my pub was closed for refurbishment I was working on a longish essay about the hemispheres of the brain and our imbalanced lives, but since thrusting myself back into long hours and longer nights the piece has gone stale, so here are some other words instead, about nothing in particular, to keep this blog's frail heart beating.
And why not about nothing? I was reading recently how language is now thought not to have developed as a tool to aid hunting, the communication of piecemeal facts, but as an extension of bonding through social grooming, a necessary evolution once tribes grew too large for every individual to spend time stroking every other individual. Caressing one another with words, music, from a distance, cooing that I am here and so are you, that we are here together, that it will be all right.
But it wasn't long before the process was hijacked, bent to the growing need to discuss the optimum firing range of crossbows, to trick people into buying anti-ageing creams that do not work, to argue about whose old man in the clouds was here first. We began to create vast conceptual networks in our heads, maps of existence written in words, and gradually we lost touch with the living world around us, the actual terrain through which we walk.
Of course language also helped take us to the moon, invent The Beatles, and build the computer I'm now typing this on, so I'm not denying its uses. Just noting that a tool that once soothed us in shared communion now as often isolates us in webs of abstraction. Words are like tin cups that we may dip in the ocean of truth around us, passing one swig of knowledge to another. But a cup can never hold the entirety of the ocean. Yet we're so enraptured by the power of our little vessels that we believe anything that does not fit into them is not real, does not matter.
The rain tells a different story. Listen to the gentle inexorability of its patter, its mellifluous beat, for long enough, and you will here a truth that no words can contain. Stare into the interstitial space between the droplets, into a void that is forever penetrated yet never touched, and you will hear the answers to questions too large for words. Staying quiet long enough to listen, of course, is the trick.
I'm busy again tomorrow, back into bustle and words and work. But I'm grateful for these two days off, for a chance to cease striving and sit and try to hear a truth beating down, half forgotten, like childhood.
And now it is late and the rain has stopped. I guess it has said all it wanted to say. I will write again next week. I will.
Let go frustration at the weather: the vicissitudes of our planet's climate are not predicated upon the structure of my weekly rota. There is nothing to which I am of central importance, save myself -- and that is a comfort, I think, finally. Watch the little puddles, the bending stalks, the subdued stoicism of the terraced houses across the car park. Be in all of it, melt into it, resign myself to its decaying beauty.
It is hard trying to write while working full time in bars. At least it is hard if you struggle with borderline alcoholism and fairly centreline depression and anxiety, and you go drinking after work with students to whom you are ten years senior, and you stay late, using rum to be funnier than you are, and you sleep through until 2pm, and then there you are back at work anxious again and sans the rum that makes you (at least in your eyes, when you've had too much rum) temporarily funny, even though you promised yourself you wouldn't (do all these things (please not again)).
While my pub was closed for refurbishment I was working on a longish essay about the hemispheres of the brain and our imbalanced lives, but since thrusting myself back into long hours and longer nights the piece has gone stale, so here are some other words instead, about nothing in particular, to keep this blog's frail heart beating.
And why not about nothing? I was reading recently how language is now thought not to have developed as a tool to aid hunting, the communication of piecemeal facts, but as an extension of bonding through social grooming, a necessary evolution once tribes grew too large for every individual to spend time stroking every other individual. Caressing one another with words, music, from a distance, cooing that I am here and so are you, that we are here together, that it will be all right.
But it wasn't long before the process was hijacked, bent to the growing need to discuss the optimum firing range of crossbows, to trick people into buying anti-ageing creams that do not work, to argue about whose old man in the clouds was here first. We began to create vast conceptual networks in our heads, maps of existence written in words, and gradually we lost touch with the living world around us, the actual terrain through which we walk.
Of course language also helped take us to the moon, invent The Beatles, and build the computer I'm now typing this on, so I'm not denying its uses. Just noting that a tool that once soothed us in shared communion now as often isolates us in webs of abstraction. Words are like tin cups that we may dip in the ocean of truth around us, passing one swig of knowledge to another. But a cup can never hold the entirety of the ocean. Yet we're so enraptured by the power of our little vessels that we believe anything that does not fit into them is not real, does not matter.
The rain tells a different story. Listen to the gentle inexorability of its patter, its mellifluous beat, for long enough, and you will here a truth that no words can contain. Stare into the interstitial space between the droplets, into a void that is forever penetrated yet never touched, and you will hear the answers to questions too large for words. Staying quiet long enough to listen, of course, is the trick.
I'm busy again tomorrow, back into bustle and words and work. But I'm grateful for these two days off, for a chance to cease striving and sit and try to hear a truth beating down, half forgotten, like childhood.
And now it is late and the rain has stopped. I guess it has said all it wanted to say. I will write again next week. I will.
Tuesday, 1 December 2015
Bombing the Bad Guys
"...if sensitive issues of governance can be made sufficiently dull and arcane, there will be no need for officials to hide or dissemble, because no one not directly involved will pay enough attention to cause trouble. No one will pay attention because no one will be interested, because, more or less a priori, of these issues' monumental dullness."
--David Foster Wallace, "The Pale King"The House of Commons will meet on Wednesday to discuss whether our military should begin launching airstrikes into Syria. A few days ago David Cameron, through his Facebook page, posted the text to a statement he gave to the House in which he outlined his views on the matter (spoilers: he's up for it). The post is here. But you are not going to read it. There is no way. It is 3,148 words long, of which most are constructions explaining what he has just said or what he is about to say ("I said I would respond", "I have done so today", "I want to answer all relevant questions", "Let me deal with each of those questions", "Let us be clear", "Let me turn to"), as well as a bunch of phrases where he says things like, "we can significantly extend the capabilities of", when he just means, "we can help".
Fucking YAWN. We have sneak-peak trailers of probably ultimately disappointing superhero films to be watching here, Dave. The speech does pick up after a while, but only because ol' Moon-Face starts getting a weird hard-on for describing missile launchers and bombs and bullets all named by men who'd I'd guess didn't have such a hot time of it as kids -- "We have the Brimstone precision missile system", "RAPTOR -- the reconnaissance airborne pod for our Tornado aircraft -- has no rival", "Reaper drones" with their "high-precision missile systems". All right, mate, put the Call of Duty box down before you jizz yourself.
But the thing is, underneath all this obfuscation and bluster and army porn, what he's saying is really important. So I've rewritten his speech for him. This isn't me going off on one, this is the actual (more or less) contents of his argument, translated into language real human beings can understand:
Mr Speaker, I want to explain why I think we should bomb Syria.
Firstly, I believe ISIL poses a threat to us. They have attacked Ankara, Beirut and Paris. They are terrorists. They do terroristy things. They're bad guys. We should stop the bad guys -- and doing this involves bombing Raqqa, because that's where they all live.
But why should we be the ones to do something about these bad guys? Well, because America and France are doing it, and they want us to join in. And because we have the bombs to do it -- the same bombs we used in Iraq, which as you'll all recall worked perfectly there.
Most importantly, though, we should be the ones to stop the bad guys because we want the bad guys stopped, and therefore it is only fair and morally decent for us to be the ones to stop them.
So why is it time to stop them now? Because they did a bad thing in Paris, and therefore we're now in more danger than we have ever been before. Also the bad guys are thumbing their noses at us telling the world we can't hurt them in their, like, secret volcano base in Iraq and Syria (okay, maybe we didn't completely fix Iraq) -- and when the bad guys say this it makes bad guys all over the world flock to this secret volcano base and twiddle their moustaches and laugh at us mockingly.
Also we should bomb the bad guys in Raqqa now because we have bombed them out of Iraq (okay, look, we didn't fix Iraq at all, and the bad guys made a volcano base there, but recently we've done really well at getting them out) -- and, basically, it's like we squeezed a spot, and the pus was all pushed into a neighbouring pore, and so now obviously we need to squeeze that pore. Don't ask me where the pus will go then. Into the tissue of democracy, I guess.
Some people have asked me whether bombing the bad guys will make the bad guys more likely to come after us. Well, they are already coming after us! If a wasp has already stung you it makes sense to beat its nest with a rolled-up newspaper, no? And we have the best rolled-up newspapers known to mankind, let me tell you. We have the Raptor, the Wyvern, the... ahhh yeah... the Lizard-King, the... the TriceratOOOOOOPSOHGOD... Umm, excuse me...
Where was I? Yes: is bombing Syrians legal? Well, sort of. Basically, all the powerful countries got together last century and decided it would be legal to bomb bad guys if it was in self-defence. And luckily that's vague enough to apply to pretty much anything we want it to. And as we're the ones making and upholding these rules anyway, who gives a shit?
Now, although I said before that it was morally decent of us to be the ones to stop the bad guys, we're not going to actually send any of our people to do it. We think it best that the actual people risking their lives be Syrian rebels and Kurds and moderate Sunni Arabs. What we will do is stay a long way behind these people and press buttons to drop bombs on the bad guys. And this will be, I believe, really helpful.
Getting the bad guys with bombs is only part of our strategy. We'll also foil plots, and do things about the nasty words the bad guys say about us. We'll also talk to countries near the bad guys, and give aid to the Syrian people who are being murdered in their thousands (who there's like zero chance of us harming with our bombs), and in the long-run we'll look at making these people's homes safe.
How much effort will we put into this? A lot. A lot a lot. Do not even worry. We're going to do loads, and eventually we'll get rid of Syria's president, Assad, who is a bad guy on a scale the ISIL bad guys can't even hope to reach -- in fact he's the real bad guy, the M. Bison if you will, except confusingly he's not aligned with the ISIL bad guys, and we don't know what we're going to do about him, and it's all really convoluted and complicated and difficult, so let's move on.
What's the end goal for us then? Well, we're going to chip away at the bad guys for a while, and we reckon eventually they'll just sort of collapse and be gone from the world forever. Now, we're not naive: we know this will take a lot of chipping away. So if you come to me next year and say it hasn't worked yet, I will say that I did tell you it would take a long time. And if you come to me in a decade, well, same thing. You really cannot touch me on this, because though I am saying it is what we should do I am also admitting it might take forever to work. But eventually it will work, and Syria will be free, and ultimately Assad will be got rid of. I'm sure of this.
Another question I'm asked is whether us bombing bad guys will have any repercussions in the incredibly convoluted intra-religious conflict of the region, wherein Sunni and Shi'a Muslims have this whole thing going on not unlike Protestants and Catholics, only actually worse, if that's possible. Well let me just say: no. No no no. It's Us-versus-Them and it's also Them-versus-Them, but ultimately it's Good-versus-Evil, and I can envisage precisely zero problems arising from this viewpoint in the decades and centuries to come. Just chill, please.
So then, the crux of it all. One question. Should we bomb the bad guys?
Well. Plenty of people are saying we should try other means, for example closing the bad guys' supply routes, cutting off their methods of weapon accretion, helping stabilise the surrounding region so suppressed Sunnis don't feel as if a radical extremist group is the only sympathetic shoulder to which they can turn. But to this I say: well, actually you're right. But that all takes a long time. We need to do something now! We need to do whatever is immediate, regardless of whether it will help or just make things way way worse in the long run. And you know what is immediate? Bombs. Brimstone. Motherfucking RAPTORS and STEGOSAURI and FIRE-BREATHING GOLEMS and shit. We can unleash these bad boys tomorrow. Today. Right now! Let's get going. Huzzah!
***
Does all this sound good to you? Because it is essentially what our prime minister just said to the major legislative body of this country. Which makes it what he just said to us. Do you agree with him? Do you see any holes in his logic? Do you, perhaps, kind of want to know more information before you agree to rain fire down upon a country of mostly not-terrorists, many of whom, despite empty assurances to the contrary, will be killed, in awful and bloody and painful ways? Not that I am telling you what to think, here -- just that I reckon you should.
Sunday, 29 November 2015
Faking It
Character sketch for the fiction course...
Laurie sat, legs crossed, reclining slightly, left hand cupped beneath the bar, right hand ripping at the corner of a bottled-lager-branded beermat, sienna hair falling over bare shoulders, drinking her Martell brandy, thinking how you couldn't compare. Comparison was the mother of... It was a path to... It fucked you all kinds of up, is what it did.
Not that she was comparing with the best of them. Not with those... things. The undulating ones over there on the dance-floor, those shimmering sirens for whom the surrounding men were practically spasming-out in orgiastic fervour. They were welcome to it. I mean obviously, if given the... but you had to be realistic. She'd let them have the beauty and the glamour and the riches, if they'd let her have an ordinary life.
Ordinary. But you couldn't compare. Each life was unique, uniquely felt. You couldn't lay one on top of another and say the peaks here are higher, the troughs there not so deep. From the inside, each life was terrible enough.
Still though. To be an averagely attractive woman. A bit fat, even. She'd take fat. A plain, plump girl -- someone who'd maybe had to wait until second year of university to lose her virginity, but had (lost it), to perhaps a computer programmer living on her floor, who'd played drums with zero rhythm and had moved on top of her with even less, who'd spent three months of evenings curled beside her watching his little portable television as the two of them gradually realised how little they had in common.
Laurie would have taken this. She would have taken this gladly. But you couldn't. You couldn't.
She swirled the nubbin of ice in her glass, brushed the hair from her broad face with a move she thought of as "defiantly feminine" -- which sounded nice but did not, in the end, assuage the feelings of ugliness and ungainliness that bubbled up at her -- and she considered the possibility of being taken home tonight.
49.05 percent of the country's population was male. Of this number, maybe 20 percent might see Laurie on first appearance as anything more than a twisted monster, an aberration, a faggot. Maybe one percent of this number, maybe less, would see her not as an object of pity or sympathy but as a woman in her own right, someone they could legitimately be attracted to.
There were, at best guess, 80 people in this bar, which did not exactly stack the odds, the fucking piece of shit fucking god fucking damned odds, in her, in, fucking...
She wrenched her thoughts away. She ordered another brandy from the barman who was trying not to look, she tore at the bar mat, she drank the brandy. The worst was in truth behind her. She no longer felt at war with her own body. More like a refugee making camp in a war-torn land, hanging fairy-lights around the barbed wire, laying rugs at the bottom of trenches, doing the best with an alien landscape that would never quite be home. If she sometimes still thought briefly of open skies, of a short plunge and then endless expansive peace, the borders of her being marked by the stars themselves, well, that wasn't so uncommon.
She was not, she had been assured, mentally unstable. Rigorous psychological evaluations prior to the multiple medical procedures on which she had spent all her savings had made certain of this fact -- though of course she allowed secretly to herself that maybe she was just good enough at faking it. But then wasn't that, when it came right down to it, the best any of us could say: that we were good enough at faking it?
Laurie (née Daniel) Staples, 28, alone once again on New Year's Eve, composed and demure and, yes, beautiful in a sequinned azure dress, drinking overpriced brandy and contemplating the smudged and fiery walk home by herself to a flat without central heating or companionship, did not then feel it but was, in this moment and for all moments after it, loved.
Laurie sat, legs crossed, reclining slightly, left hand cupped beneath the bar, right hand ripping at the corner of a bottled-lager-branded beermat, sienna hair falling over bare shoulders, drinking her Martell brandy, thinking how you couldn't compare. Comparison was the mother of... It was a path to... It fucked you all kinds of up, is what it did.
Not that she was comparing with the best of them. Not with those... things. The undulating ones over there on the dance-floor, those shimmering sirens for whom the surrounding men were practically spasming-out in orgiastic fervour. They were welcome to it. I mean obviously, if given the... but you had to be realistic. She'd let them have the beauty and the glamour and the riches, if they'd let her have an ordinary life.
Ordinary. But you couldn't compare. Each life was unique, uniquely felt. You couldn't lay one on top of another and say the peaks here are higher, the troughs there not so deep. From the inside, each life was terrible enough.
Still though. To be an averagely attractive woman. A bit fat, even. She'd take fat. A plain, plump girl -- someone who'd maybe had to wait until second year of university to lose her virginity, but had (lost it), to perhaps a computer programmer living on her floor, who'd played drums with zero rhythm and had moved on top of her with even less, who'd spent three months of evenings curled beside her watching his little portable television as the two of them gradually realised how little they had in common.
Laurie would have taken this. She would have taken this gladly. But you couldn't. You couldn't.
She swirled the nubbin of ice in her glass, brushed the hair from her broad face with a move she thought of as "defiantly feminine" -- which sounded nice but did not, in the end, assuage the feelings of ugliness and ungainliness that bubbled up at her -- and she considered the possibility of being taken home tonight.
49.05 percent of the country's population was male. Of this number, maybe 20 percent might see Laurie on first appearance as anything more than a twisted monster, an aberration, a faggot. Maybe one percent of this number, maybe less, would see her not as an object of pity or sympathy but as a woman in her own right, someone they could legitimately be attracted to.
There were, at best guess, 80 people in this bar, which did not exactly stack the odds, the fucking piece of shit fucking god fucking damned odds, in her, in, fucking...
She wrenched her thoughts away. She ordered another brandy from the barman who was trying not to look, she tore at the bar mat, she drank the brandy. The worst was in truth behind her. She no longer felt at war with her own body. More like a refugee making camp in a war-torn land, hanging fairy-lights around the barbed wire, laying rugs at the bottom of trenches, doing the best with an alien landscape that would never quite be home. If she sometimes still thought briefly of open skies, of a short plunge and then endless expansive peace, the borders of her being marked by the stars themselves, well, that wasn't so uncommon.
She was not, she had been assured, mentally unstable. Rigorous psychological evaluations prior to the multiple medical procedures on which she had spent all her savings had made certain of this fact -- though of course she allowed secretly to herself that maybe she was just good enough at faking it. But then wasn't that, when it came right down to it, the best any of us could say: that we were good enough at faking it?
Laurie (née Daniel) Staples, 28, alone once again on New Year's Eve, composed and demure and, yes, beautiful in a sequinned azure dress, drinking overpriced brandy and contemplating the smudged and fiery walk home by herself to a flat without central heating or companionship, did not then feel it but was, in this moment and for all moments after it, loved.
Thursday, 12 November 2015
Full
Another wee thing from the fiction course. Can't be bothered doing anything with it so I'll just leave it here for your delectation...
Sunday, 25 October 2015
Slouch
The high-street was dark and the snow bunched beside doorways and you could see the puffs of breath from the shoppers bustling home, but as I ordered my tall black and looked for a seat I felt none of the sadness that these conditions usually engender in me.
My surprise grew when I shrugged off my coat in front of the three remaining customers and the two baristas, and instead of anxiety at being seen I experienced a great welling of comfort melting the corners of the room and drawing our plucky group together. This was a sensation many years ago I would have associated exclusively with my first brandy of the night.
The boy brought over my coffee and I thanked him. He gathered up the gratitude and took it into himself, so it felt, and then he went back to leaning on the counter and watching the clock. I cannot normally abide this, clock-watching by employees in the service industry, betraying, as it does, the employees' contempt for their surroundings, of which (it doesn't take a genius to extrapolate) I as a customer am clearly a part. But here I felt no bile rising. To the contrary, looking at this boy, I was struck by the notion that my sense of well-being was in fact emanating from him; a notion that, once examined, I saw to be true.
I watched the boy. He had full lips, black hair, a complexion that would have been olive-skinned had the sun ever figured out how to reach this godforsaken city of ours. The boy's eyes were fierce and bright, his body lithe in angled insouciance. He made a joke to the girl wiping tables, his dark-haired and gently-muscled arms very much there in the space between boy and girl, and the girl laughed. The other patrons smiled. I smiled. We were all old friends. We all felt marvellous.
After a time the boy slouched off to bring in the outdoor furniture, and I figured it out. It was this slouch, its nonchalant air of cool and confident rebellion. A subtle rebellion -- no manager could have brought it up without sounding insane, for in all other regards the boy appeared sufficient -- but rebellion nonetheless, a way of giving everything officially asked of him while still holding something back. He gave his manners, his attention -- his time -- and what he held back may only have been tiny, but it was vital. His slouch belonged to him, they could not have it, and this mattered. And because it mattered the boy could remain, through banality and tedium, himself. And because he could remain himself, he could be happy.
Yes. This kid wouldn't complain if asked to bring in a beer garden in the rain. He would let co-workers take their breaks before him. He came to shifts on time, awake, alive.
He was back, now, clearing a customer's plate, calling the man dude without affectation (I have never got the hang of this word, its roundness sounding so vulgar and American in my mouth). He had the key to it all, this kid, to every stinking thing, and I loved him for it.
I would wait until he was behind the counter again and then hand him my empty mug. The nod he would give me, the small moment we would share: this would solve everything.
My surprise grew when I shrugged off my coat in front of the three remaining customers and the two baristas, and instead of anxiety at being seen I experienced a great welling of comfort melting the corners of the room and drawing our plucky group together. This was a sensation many years ago I would have associated exclusively with my first brandy of the night.
The boy brought over my coffee and I thanked him. He gathered up the gratitude and took it into himself, so it felt, and then he went back to leaning on the counter and watching the clock. I cannot normally abide this, clock-watching by employees in the service industry, betraying, as it does, the employees' contempt for their surroundings, of which (it doesn't take a genius to extrapolate) I as a customer am clearly a part. But here I felt no bile rising. To the contrary, looking at this boy, I was struck by the notion that my sense of well-being was in fact emanating from him; a notion that, once examined, I saw to be true.
I watched the boy. He had full lips, black hair, a complexion that would have been olive-skinned had the sun ever figured out how to reach this godforsaken city of ours. The boy's eyes were fierce and bright, his body lithe in angled insouciance. He made a joke to the girl wiping tables, his dark-haired and gently-muscled arms very much there in the space between boy and girl, and the girl laughed. The other patrons smiled. I smiled. We were all old friends. We all felt marvellous.
After a time the boy slouched off to bring in the outdoor furniture, and I figured it out. It was this slouch, its nonchalant air of cool and confident rebellion. A subtle rebellion -- no manager could have brought it up without sounding insane, for in all other regards the boy appeared sufficient -- but rebellion nonetheless, a way of giving everything officially asked of him while still holding something back. He gave his manners, his attention -- his time -- and what he held back may only have been tiny, but it was vital. His slouch belonged to him, they could not have it, and this mattered. And because it mattered the boy could remain, through banality and tedium, himself. And because he could remain himself, he could be happy.
Yes. This kid wouldn't complain if asked to bring in a beer garden in the rain. He would let co-workers take their breaks before him. He came to shifts on time, awake, alive.
He was back, now, clearing a customer's plate, calling the man dude without affectation (I have never got the hang of this word, its roundness sounding so vulgar and American in my mouth). He had the key to it all, this kid, to every stinking thing, and I loved him for it.
I would wait until he was behind the counter again and then hand him my empty mug. The nod he would give me, the small moment we would share: this would solve everything.
Tuesday, 20 October 2015
Places
Hello, jambalayas. Here's a little exercise from the online fiction-writing course I've been doing recently, just because I know I've not been giving this blog the attention it deserves. The exercise was about describing our ideal writing environment, and then an environment in which we'd find it difficult or bizarre to write. Second guy is a bit of a cheap Bukowski clone, but whatevs.
Picture it: the quality of sunlight when you share the world with only insects, the nascent light filtering through the glass, the cottage still cold. Coffee sings on the stove. Karen is asleep upstairs, you can just bet doing that thing with her feet skewed out from the tangle of sheets, splayed like a spider. Let her lie. Down here the computer is on, but only so Stan Getz can play to the empty morning. You open your notebook and leaf through pages, breathing in the smell. The carpet is freshly hoovered, the floor clear. Open space in the middle, jumble around the edges: like your mind. The desk is wooden and ancient; it remembers. The chair is modern, though tempered by cushions Karen has knitted in Yorkshire wool. Post-it notes, colours sucked by time, plaster the walls. A newspaper-clipping photograph of a lonely Greek island. Smudged ash of incense on your arm. Soft pencils. Old mugs. The cat home from crepuscular wanderings, paws damp, eyes bright, mewling to be fed. Everything else in here is books.
Carl was three or five beers down and looking at an ice-cream cone upended and melting into the mud. Nothing sadder. The neon of the Screamer flashed in the distance as its left arm dropped. A maddened, robotic giant, beating the ground in forlorn death throes, Carl always thought. The smell of rancid burgers wafted.Yelps of kids, guffaws of teenagers scaring their dates. The grass was trodden away here behind the stall, and Carl's plastic chair was digging into the dirt. The magic of the carnival was gossamer-thin at best, but back here the veneer was non-existent. The utilitarian sadness of the insides of attractions, unfinished pine and leaking sand bags and old tins of paint. Carl slugged his beer, leaned back. The grease and astroturf and ticket stubs and scum of candy-floss were ugly, yes, but they were his ugliness, as intrinsic to him as the hair on his toes or the brush of acne along his brow. He needed it all, needed the dirt to write his dirty stories, so beloved of those small publishers in Europe. The glow from the burger van washed across the cheap notebook, and Carl bent to it. He'd be here all night.
Picture it: the quality of sunlight when you share the world with only insects, the nascent light filtering through the glass, the cottage still cold. Coffee sings on the stove. Karen is asleep upstairs, you can just bet doing that thing with her feet skewed out from the tangle of sheets, splayed like a spider. Let her lie. Down here the computer is on, but only so Stan Getz can play to the empty morning. You open your notebook and leaf through pages, breathing in the smell. The carpet is freshly hoovered, the floor clear. Open space in the middle, jumble around the edges: like your mind. The desk is wooden and ancient; it remembers. The chair is modern, though tempered by cushions Karen has knitted in Yorkshire wool. Post-it notes, colours sucked by time, plaster the walls. A newspaper-clipping photograph of a lonely Greek island. Smudged ash of incense on your arm. Soft pencils. Old mugs. The cat home from crepuscular wanderings, paws damp, eyes bright, mewling to be fed. Everything else in here is books.
***
Carl was three or five beers down and looking at an ice-cream cone upended and melting into the mud. Nothing sadder. The neon of the Screamer flashed in the distance as its left arm dropped. A maddened, robotic giant, beating the ground in forlorn death throes, Carl always thought. The smell of rancid burgers wafted.Yelps of kids, guffaws of teenagers scaring their dates. The grass was trodden away here behind the stall, and Carl's plastic chair was digging into the dirt. The magic of the carnival was gossamer-thin at best, but back here the veneer was non-existent. The utilitarian sadness of the insides of attractions, unfinished pine and leaking sand bags and old tins of paint. Carl slugged his beer, leaned back. The grease and astroturf and ticket stubs and scum of candy-floss were ugly, yes, but they were his ugliness, as intrinsic to him as the hair on his toes or the brush of acne along his brow. He needed it all, needed the dirt to write his dirty stories, so beloved of those small publishers in Europe. The glow from the burger van washed across the cheap notebook, and Carl bent to it. He'd be here all night.
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